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CHICAGO — Set inside a once-dilapidated, 87-year-old building in Chicago’s Near West Side, a one-of-a-kind museum could change the perception of public housing in the U.S.
A former federal housing project underwent a $17.5 million transformation to become the National Public Housing Museum, which opened earlier this month. It showcases recreated apartments from three different eras. The museum is the brainchild of public housing residents who wanted to tell a more complete story about their lives, from the joys of living in tight-knit communities to the effects of racist housing policies.
“The biggest artifact in our collection is the building itself,” said Lisa Yun Lee, the museum’s executive director.
Remnants of a paint-chipped wall, with cracks and graffiti, greet visitors at the entrance. Original mailboxes with apartment numbers scrawled in marker are displayed near items belonging to Supreme Court Justice Sonia Sotomayor, who grew up in New York public housing. An outdoor garden is lined with decades-old animal statues that once formed the centerpiece of a Chicago public housing courtyard.
Museum organizers hope to revive such a gathering place and say the location in Chicago’s Little Italy neighborhood is important. The museum complex includes 15 new public housing apartments where people will live. Next door is a city library branch that also has affordable housing units. A mixed-income development is under construction nearby.
“It’s a museum that says, ‘There are things that everybody deserves,’” said Sunny Fischer, a consultant for foundations, who grew up in public housing and is the museum board’s chair.
Museum admission is free though guided tours cost money.
The museum’s opening was delayed because of fundraising challenges and different mayoral administrations with changing agendas. The building was given to the museum by the U.S. Department of Housing and Urban Development. The $17.5 million price tag was covered by a mix of private donations, and state and federal money.
Residents started planning the museum about 18 years ago while the nation’s third-largest city was demolishing public housing high-rises. The ambitious and controversial improvement plan, which displaced thousands of families, included tearing down Cabrini-Green, an infamous housing project portrayed in the“Candyman”horror movies.
Residents didn’t want their stories to be wiped out with the towers. Among the museum’s original planners was activist Francine Washington. The 69-year-old has lived in Chicago public housing almost her entire life. It’s where she raised a family and worked as a property manager and in food service. She serves on the museum’s board and hopes to help counteract stereotypes about public housing residents.
“Show them what we have accomplished, what we have done, what we have been through,” she said. “Even though we’re in public housing, we’re human beings. We want the same things in life that they want.”
One of the museum organizers’ goals is to show how the racial makeup of public housing in Chicago and other places changed, largely due to racist housing authority practices. For instance, Black residents were concentrated in high-rises in segregated communities with few opportunities to move.
The restored apartments inside the former Jane Addams Homes building feature original artifacts donated by the families of former residents, including clothing and dishes. An apartment from the 1930s belonged to a Jewish family while one from the 1950s was an Italian family’s home. The third, from the 1970s, was the childhood home of the Rev. Marshall Hatch, a well-known Black pastor and Chicago activist.
Museum organizers say they also were inspired by New York City’s Tenement Museum, which highlights preserved tenement apartments on the Lower East Side. But Chicago organizers say they took it a step further with a high-tech spin, including recorded oral histories that are played as visitors walk by, handheld screens and a video by a shadow-puppet theater company that illustrates barriers Black families faced in finding housing, likeredlining.
At the same time, the museum showcases lesser-known bright spots in public housing history, like resident-organized safety patrols and cooperatives selling groceries. Public housing residents called “ambassadors” are museum staffers.
“We had to change the narrative about public housing,” Lee said. “When you said the words ‘Cabrini-Green,’ that brought up a visceral feeling in people. And usually that was one that was a stereotype of what it means to be poor and Black in America. Creating exhibits that challenge that narrative was a really important part of our work.”
Perhaps the best example is the “REC Room,” a music studio where visitors can scan albums from numerous genres to learn about musicians who lived in public housing. They include Elvis and Salt-N-Pepa, whose group member DJ Spinderella lived in public housing and is a museum curator.
A large black-and-white photo on the wall shows beaming residents dancing at a Cabrini-Green house party.
It’s one of the favorite parts of the museum for Gentry Quinones, a museum staff member who lives in Chicago public housing.
“There was also joy and community,” she said.
